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వ్యాసం: The History of Jadau | How Our Jadau and Kundan Polki Jadau are Vastly Different

The History of Jadau | How Our Jadau and Kundan Polki Jadau are Vastly Different

In everyday speech, “Jadau” means stone‑set jewellery. Under that umbrella sit two distinct traditions:

1) Kundan‑Polki Jadau (Mughal–Rajputana)

Sets flat, uncut diamonds (polki) in pure gold using kundan foil. Historically centred in Rajasthan (and parts of Gujarat) and spread as karigars migrated.

Visual cues: bold, mirror‑like surfaces, closed backs, Mughal silhouettes.

2) Amritsari / Punjabi / Bengali Jadau (Our Lineage)

Stones—often seed pearls, rubies, emeralds, sapphires—are set into pierced and carved metal forms.

The motifs echo Edwardian/Victorian English jewellery: scrolling vines and pearl‑cluster florals.


A Short Origin Story

  • English influence: British Officers commissioned pieces in India; Bengali gold karigars recreated the look at accessible prices, and Indian motifs blended in.
  • To Punjab & Amritsar: As rule consolidated, the craft travelled to undivided Punjab. Punjabi workshops scaled production more affordably; after Partition (1947), Amritsar emerged as a hub.

Note: This path reflects workshop oral histories and comparative design reading; archival references welcome.


Why This Jadau Flourished

  • Colour freedom: seed pearls with rubies, emeralds, sapphires, turquoise, coral.
  • Design freedom: pierced metal allows almost any silhouette.
  • Pre‑diamond favourite: Through much of the mid–late 20th century it was the luxury choice across India.

How We Work Today

  • Same artisanship across metals: 22k gold and gold‑plated silver follow the same process, giving a gold‑true finish in real lighting.
  • Made for wear: hand‑cut micro‑settings, balanced weight, thoughtful backings, plus re‑plating/repair to extend life.

Spot the Difference (Quick Guide)

  • Kundan‑Polki: polki diamonds, kundan foil, closed backs, Mughal silhouettes; Rajasthan/Gujarat nexus.
  • Studded Seed‑Pearl Jadau: pierced metal, mechanical settings, seed‑pearl florals; Edwardian/Victorian echoes; Bengal → Punjab → Amritsar hub.
Figure 1: Kundan‑polki jadau (Mughal–Rajputana lineage)

Figure 2: Our Lineage Jadau—pierced metal with seed pearls & precious color stones

Figure 3: Edwardian/Victorian seed‑pearl pendant—note the floral vines and pearl clusters.

 

Modern designers often blend these languages. The constant is the handwork behind every stone seat and every polished edge. Checkout our edwardian styled designs.

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